Tragedy draws successful German orchestra conductor Tom back to his complicated family in a bleak three-hour saga from Matthias Glasner that finds hope in the darkest of places.

It’s a pleasure to watch the super-charged dynamics of the Fantastic Four, but attempts to fit this retrofuturistic family unit into the wider ‘Marvel cinematic universe’ feel clumsy.

The magic of Charles Laughton's Southern gothic one-off may be in Mitchum's willing flamboyance, argued David Thomson in our April 1999 issue ...

Here are 10 great films from directors who – whether voluntarily or not – were one and done.