The artist’s seemingly simple pen strokes were capable of capturing both the gravity and the absurdity of peacetime and war.

The international fair’s artistic legacy was also invoked by the historic loan of three panels from Saul Steinberg ... As for visual art, Steinberg’s mural was the principal attraction.

A Century of The New Yorker opened at The New York Public Library, showcasing the history of The New Yorker from its launch in 1925 to present day and bringing to life the people, stories, and ideas ...

In an old Georgia mansion, a team of the writer’s devotees found a dusty wooden box: inside were two dozen of her never-seen ...

In his first edition of Celluloid Purgatory, Preston Fassel dives into the uniquely bizarre 1973 film, Love Me Deadly. Read ...

The multitalented poet, painter, and cartoonist made work first and foremost to delight.

In McInerney’s telling, Chloë Sevigny, then a young It Girl, was the font from which absolute cool flowed. She was New York.

The second centered on the mural “The Americans,” which artist Saul Steinberg created for the American Pavilion back then. Three panels of this artwork were showcased for the first time outside museum ...

Saul Steinberg’s Masterful Language of Lines The artist’s seemingly simple pen strokes were capable of capturing both the gravity and the absurdity of peacetime and war.