Ahead of TEFAF Maastricht, Tamio Ikeda, of the Paris gallery Tanakaya, shares the complex history behind the woodblock print, and how mutual admiration may have saved it.

Object Details Author Till, Barry 1951- Subject Art Gallery of Greater Victoria Contents Political restoration, cultural transformation : The Imperial line ; Restoration of Imperial rule ; The last ...

The Madison Museum of Contemporary Art debuted “Bird and Blossom,” an exhibition of woodblock prints depicting simple relationships in the natural world, on Jan. 24. Curated by Eleanor Pschirrer-West, ...

A new exhibition at the National Museum of Asian Art displays haunting, colorful woodblock prints Roger Catlin - Museums Correspondent Oiwa’s husband wanted to remarry his rich neighbor, but his ...

Binnie’s woodblock prints reflect deep dedication to the practice and art historical knowledge. They show reverence to the Japanese masters while integrating contemporary tastes and imagery. Some ...

Summary Japanese woodblock prints of the Edo period (1615-1868) were the products of a highly commercialised and competitive publishing industry. Their content was inspired by the vibrant popular ...

The great Japanese woodblock prints by the artists Katsushika Hokusai and Utagawa Hiroshige are so influential, and so beautiful, you never need any excuse to see them. "Japanese Impressions" at ...

Art History Who Was Hiroshige, the Artist Behind Japan’s Most Iconic Prints? The master of Japanese prints is admired for exquisite views of his homeland, but a new show at the British Museum ...

Inspired by Japanese woodblock prints, young Vietnamese artists bring a personal touch to their work, creating an artistic interplay between Vietnam and Japan.

An article in the Life & Arts section of the Wall Street Journal earlier this year heralded the Dayton Art Institute’s special exhibition of color woodblock prints by Tsukioka Yoshitoshi that ...

Later woodblock prints reveal that landscape continued to play a pivotal role in the lives and identity of Japanese people into the 20th century.

Put together by the Worcester Art Museum in Massachusetts, it is derived from the estate of businessman John Chandler Bancroft, which donated 3,700 Japanese woodblock prints to the museum in 1901.