Spotlighting artists like Sam Gilliam, Felrath Hines and Joe Overstreet, “Innervisions” underscores the breadth of Black abstract art since the 1950s.

Called “L’Exposition internationale des arts décoratifs,” it ran from April to October 1925, attracted 16 million people, and was a celebration of Modernism and Art Deco design. It occupied ...

Church’s three paintings in the exhibition mark a break from her best-known work, geometric ... Abstract Expressionism’s paint-as-paint pours. Like Pollock’s late abstractions, Hankwitz’s ...