Ailsa Marshall recounts Bristol alumni Carlos Sandin's clown-infused, wonderfully chaotic rendition of James Bond.

As I discuss with the fellow Metalheadz fans I've suddenly befriended, while I do feel slightly out of place amongst an older audience, my love of the music from a thirty year old record label that ...

By , Third Year Classical Studies On Monday, 28 April, Bristol took part in its most violent fight of the calendar year: The ...

Thanks to Watershed, I got to catch Emilie Blichfeldt’s 2025 The Ugly Stepsister (Den Stygge Stesøsteren) before it's ...

Epigram chats with Yann Tiersen about humanity in the natural world, the politics of social media, and the musings of both in ...

By this point in term, everyone’s brains are fairly frazzled. For students who don’t have the time or energy to crack open a ...

University of Bristol tutor, lecturer and acclaimed writer Noreen Masud discusses trauma, solidarity and resisting the ...

The production team behind the Bristol Spotlight's new play Antigone 89 run us through what to expect from their adaptation ...

Lilja Nassar attends Bristol Old Vic's latest play which centres itself around the notorious teenage epicentre in 'The House ...

The PIT is set to showcase photography and artwork of Bristol's beloved music scene, curated by renowned street artist ...