The loss of singular talent and visionary filmmaker David Lynch is not only felt in the world of cinema, but music, where he had inextricable influence on multiple generations of artists.

David Lynch, the groundbreaking director whose works include Twin Peaks, Mulholland Drive, Eraserhead, Blue Velvet and more, has died at age 78, according to a statement made on the artist's social media channels.

(You can hear all of the tracks on our Spotify playlist ... the foggy Pacific Northwest. Filmmaker David Lynch poses for a portrait in his private screening room in Los Angeles on Sept.

Remembering David Lynch's Musical Legacy ... (You can hear all of the tracks on our Spotify playlist.) “In Heaven” from “Eraserhead” Lynch composed much of the soundtrack to the clangorous ...

(You can hear all of the tracks on our Spotify playlist ... Nails and Donovan to the German nu-metal band Rammstein. David Lynch, “Thank You Judge” In 2001, Lynch released his debut ...

(You can hear all of the tracks on our Spotify playlist ... Nails and Donovan to the German nu-metal band Rammstein. David Lynch, “Thank You Judge” In 2001, Lynch released his debut ...

(You can hear all of the tracks on our Spotify playlist ... and very much not for the faint of heart. David Lynch and Karen O, “Pinky’s Dream” In 2011, Lynch released the album “Crazy ...

The loss of singular talent and visionary filmmaker David Lynch is not only felt in the world of cinema, but music, where he had inextricable in

Music played a huge role in defining the filmmaker’s distinctive atmosphere on the big and small screens. Hear 13 examples.

When David Lynch died last week, it was almost hard to know whom exactly to mourn. He was a Renaissance man: musician, painter, meditation instructor, YouTube personality. Most, of course, mourn him as a filmmaker, the medium in which he left his most indelible mark. But I mourn him as a neighbor.

David Lynch was a visionary director of the strange and the surreal – but what we hear in his films is as important as what we see.

The filmmaker’s COVID-era L.A. forecasts found the eerie in the everyday.