In this episode, photographer Tyler Mitchell welcomes us into his studio and shows us the transformative power of images. From early skateboarding films to capturing Vogue covers with Beyoncé, ...

MARINA ABRAMOVIĆ: The woman sitting on the bicycle seat in the middle of the wall with a projected light on her dissolving in luminous light. It's a very difficult, demanding piece, because the woman ...

MoMA is open daily from 10:30 a.m. to 5:30 p.m,. and until 8:30 p.m. on Fridays. Please be advised that in the morning and on rainy days there may be a line to enter. Do members have special hours? On ...

Narrator: This work belongs to a series of paintings in which Magritte paired words and images using the format of a children’s reading primer. Curator, Anne Umland: Misnaming objects was one of ...

Leah Dickerman: These "White Paintings" may not be prepossessing, but they're among the most radical statements about painting made in the middle of the 20th century. They are blank canvases stretched ...

MARINA ABRAMOVIĆ: When we was Australian desert and living with the Aborigines, we was looking to this report of astronauts who said that only construction who can be seen from moon, human-made, is ...

Immerse yourself in ideas and see your world in new ways through art. In MoMA’s free Massive Open Online Courses (MOOCs) on Coursera, you will hear directly from artists and designers, look closely at ...

MARINA ABRAMOVIĆ: Rhythm 5 was about ritualization of the Communist five point star burning my hair, burning my nails. I had almost a serious accident because the fire took all the air, and when I was ...

Director, Glenn Lowry: In her earlier performance, Rhythm 0, Abramović surrendered complete control to her audience as she stood impassively, next to a table with objects that they could use on her as ...

GLENN LOWRY: By the 1970s, performance art had achieved a level of notoriety and even acceptance. However, because many artists used their bodies aggressively in their performances, it was often ...

MARINA ABRAMOVIĆ: In The Artist is Present, I perform every day for three months. The performance is really about presence. You have to be in the here and now, 100 percent. GLENN LOWRY: Marina ...

Jerry Gorovoy: I’m Jerry Gorovoy. This hanging bronze figure is called the Arch of Hysteria. Louise had actually been in psychoanalysis from 1951 all the way up until the 1980s. At the beginning of ...