Rising British actor Josh O'Connor was drawn to how normal his character in "The Mastermind", a suburban dad who cooks up an art heist, seemed when he signed on to U.S. director Kelly Reichardt's new film that premiered at the Cannes Film Festival.

O’Connor got his share of the attention, but when Reichardt came into frame, chants of “Kelly! Kelly!” rolled through the room. The film’s somber tone, and the clear analogy between the ’70s-era moral and political decline depicted and today’s America likely hampered a more boisterous response.

Like so much of Reichardt’s output, The Mastermind feels modest when you’re watching it and downright brilliant once it’s had some time to settle in your mind. Her films are so present and unguarded from moment to moment,